In 1992, Disney's animated film "Aladdin" opened to great critical acclaim and boffo box office biz (as they say in the industry). "Aladdin" has since become one of the most successful animated movies of all time. Success breeds success, so it should come as no surprise that Disney has opted to turn "Aladdin" into a Broadway-style musical. But, unlike the wildly popular "Beauty and the Beast" that become a favorite on the Great White Way, Disney has ignored Broadway in favor of a new locale: Disney's California Adventure.
That's right. Disney's "Aladdin-a Musical Spectacular," opened last month at the Hyperion Theater in the California Adventure theme park in Anaheim. More than just another musical revue designed to give guests something to watch while resting between rides, "Aladdin" is a full-blown, one-act musical that, if it wasn't for its 40-minute running time, could be on its way to Broadway. As is, it's perfect for a Disney theme park. More than perfect-not only is this the best live show in any Disney theme park in recent memory, it's a great method for introducing kids and adults to musical theater.
"When we first set out to re-imagine 'Aladdin' as a theatrical event, we approached it as an experience that would be comparable to a major new attraction at one of our theme parks," explains Disney Corp. President Michael Eisner. "In much the same way that Walt Disney theatrical productions have re-defined Broadway entertainment, we have now sought to re-define theme park entertainment by offering a stage musical of the highest caliber that is ideal for a family audience. We brought this timeless tale to life with lots of stunning designs, unforgettable imagery, and wonderful sets. We built the Hyperion Theatre to be fully equal to the best stages in the world, so that Disney's California Adventure can offer something no other theme park can offer: a Broadway caliber experience. As a result, for less than the price of a ticket to a New York musical, our guests can enjoy a full day in Anaheim, plus an all-stops-out Broadway show."
You can't have a great Broadway-caliber show without great talent, and Disney has assembled some of the best in the world.
First, Disney hired New York theater veteran Anne Hamburger as executive vice president, creative entertainment, for Walt Disney Parks and Resorts. Previously, Hamburger was artistic director of La Jolla Playhouse and, before that, the founder and artistic director of the celebrated En Garde Arts, which presented award-winning theater in a variety of unusual sites in New York City.
Then, Hamburger hired Francesca Zambello to direct "Aladdin." Zambello's credits include musical theater and opera productions around the world, including New York's Metropolitan Opera. Hamburger tapped choreographer Lynne-Taylor Corbett to create the dances in "Aladdin." Her previous credits include the Broadway musicals "Swing" and "Titanic." A slew of top-notch designers rounded out the creative team.
And, of course, what would "Aladdin" be without its famous film score? Many of the best songs penned by Alan Menken, Howard Ashman and Tim Rice are back, plus one new song, the ballad "To Be Free," written especially for the show by Menken.
The show has been double cast, allowing for multiple performances throughout the day. Actors' credits include touring productions of "Rent," "Miss Saigon," "The Lion King," and others.
"This creative team embodies our goal of creating great shows that will delight our guests in ways they have never before experienced, as well as changing the way our theme park entertainment is viewed by the public at large," says Hamburger. "Many people who visit our theme parks don't have theater available to them or their children. We're introducing a new generation of future theatergoers to some of the most creative talents in the world in a format that all audiences can appreciate."
So does "Aladdin-a Musical Spectacular" live up to its hype? The answer is an unqualified yes. The show is fast-paced entertainment designed to grab audiences and keep them enthralled from start to finish. This is accomplished through dazzling special effects, effervescent dancing, accomplished acting and, of course, the still-terrific story and songs. It's a forty-minute thrill ride that makes typical amusement park shows pale in comparison. If Disney expanded the show and allowed more time to flesh out the characters and plot line (which would also provide more time for additional songs), they could certainly have another worthy contender for Broadway and beyond.
"Aladdin" is free with admission to California Adventure, and is scheduled for an indefinite run. If audiences applaud the show as much as the opening weekend crowd did, "Aladdin-A Musical Spectacular" will be a long-running success.
Bravo Disney!
Prince Ali, yes it is he
But not as you know him
Read my lips and come to grips with reality
Yes, meet a blast from your past
Whose lies were too good to last
Say hello to your precious Prince Al...
|
 Well Ali Baba had them forty thieves
Scheherezad-ie had a thousand tales
But master you in luck 'cause up your sleeves
You got a brand of magic never fails
You got some power in your corner no...
|
 Voiced by Gilbert Gottfried Iago is the favorite Aladdin character of a great many people. He probably has the best one-line comedy of any character, and he occasionally has a heroic scene (for instance, he is the hero in the Re...
|
Make way for Prince Ali
Say hey! It's Prince Ali
Hey! Clear the way in the old Bazaar
Hey you!
Let us through!
It's a bright new star!
Oh Come!
Be the first on your block to meet his ...
|
[Aladdin:] Gotta keep
One jump ahead of the breadline
One swing ahead of the sword
I steal only what I can't afford
( That&...
|
 Voiced by Linda Larkin (speaking) and Lea Salonga (singing) The beautiful Jasmine, daughter of the Sultan, is only a few days short of her 16th birthday; the day on which, by law, she must choose a husband. However, she wants to marry for love, so -- to her fa...
|
Add Feedback